Voco-synth Public beta v0.1.0 beta · VST3 · Windows

PsyVOX

A synthesizer that sings with your voice.

PsyVOX is a voco-synth. A vocoder borrows your voice to shape another synth; PsyVOX makes a new voice from yours, using the synthesis that gives PsyOp its talking, singing tone. Speak or sing into a microphone, play the keys, and it answers in a synthetic voice that keeps every word, from the lowest bass note to the top of the keyboard. No microphone to hand? It sings along to sequences of its own, in time with your song.

18 analyzers × 8 voices 26 sequences MPE 11 effects
The PsyVOX panel in beta 0.1.0: the Vocoder section with its input meter and band display, Tone, Filter, Pitch, Ensemble and Amp sections, and an effects rack of Chorus, Echo, Reverb, Compressor and Limiter along the bottom.
PsyVOX 0.1.0 beta, full panel Every control can be automated
01A voco-synth

Any sound can be its voice.

PsyVOX is a synthesizer you play from a keyboard, like any other. What makes it a voco-synth is its second input: an audio feed. Whatever you send it becomes the voice the synthesizer speaks with, while your keys decide the notes.

Audio inYour voice, or any sound
MIDI inThe notes you play
PsyVOX
Audio outA new voice, at your pitch
Vocals

Sing it once, play it as chords

A sung or spoken line becomes a choir, a robot or a talking lead, following whatever you play.

Microphone

Play it live

Speak into a mic while you play and PsyVOX answers in real time, on stage or at the desk.

Drums

Rhythm with a tune

Feed it a drum loop and every hit shapes the synth: percussive, pitched chords that groove.

Anything else

Pads, guitars, field recordings

If a sound changes over time, PsyVOX can sing it. No input at all? Switch to Seq and it sings its own.

02Listen

Hear what it does.

Three recordings from the beta, each with a different voice going in. Press play and they run in order, then round again. More are on the way.

Audio examples 3 tracks · plays through, then starts again
  • Say Hello In: a live microphone · spoken over held chords --:--
  • Vox Jam In: a voice · a quick jam over PsyOp bass and a drum loop --:--
  • Borrowed Voice In: a pop vocal · the whole line, resung by PsyVOX --:--

More examples are on the way.

03How it works

Your voice in. A new voice out.

A classic vocoder lays the shape of your voice over a synth’s sound. PsyVOX starts from the voice instead: it takes the formant synthesis behind PsyOp and shapes a new voice from yours, so what you play speaks as clearly as what you sang.

Vocoder sectionAnalyzer: Modern/Bark 24
The PsyVOX Vocoder section: an input meter, the band display with 24 bands lit, the Analyzer, Voice and Sequence selectors, and the Attack, Release, Emphasis, Gate, Band Shift and Monitor knobs.
PsyVOX 0.1.0 beta, listening to a voice.
  1. 01

    A sound comes in

    Your voice or any audio on the plug-in’s input, or one of PsyVOX’s own spectral sequences.

  2. 02

    The analyzer splits it into bands

    And measures the energy in every band, every few milliseconds.

  3. 03

    The voice becomes a sound

    The chosen voice turns what the analyzer hears into the synthesizer’s tone, and keeps up as your vowels change.

  4. 04

    You play it

    Chords, lines and bass notes all carry the words, clear at every pitch from the bottom of the keyboard to the top.

  5. 05

    The rack finishes it

    Filter, then the same eleven-module effects rack as PsyOp.

04Analyzer × Voice

Two choices shape every patch.

Two selectors under the band display. Change the analyzer and your voice choice stays put: every analyzer ships with every voice.

Analyzer · 18 band plans

How your sound is divided

How many bands, where they sit, how wide they are and how much they overlap. Three families: Modern perceptual scales such as Bark, ERB and Mel; Classic band plans in the manner of vintage hardware, from 11 to 22 bands; and Character plans like Robot, Telephone and a five-band Formant.

Controls the diction

Voice · 8 voices

What each band sounds like

  • PreciseSmooth and clear
  • BandEach band as a filtered slice
  • HarmonicEvenly spread harmonics
  • StepsHard-edged, square and saw
  • ChirpA falling zap in every band
  • BurstShaped noise, breathy
  • BuzzReedy and vocal
  • ResonateRinging, bell-like

Controls the timbre

05Sequences

A voice of its own, in time with your song.

Switch the Vocoder section from Live to Seq and PsyVOX plays a spectral sequence instead of listening to its input. A sequence stores the spectrum, not the bands, so every one plays through every analyzer, exactly as if it were coming in live.

Factory26 sequences: gates, band gates, vowel sequences, sweeps, rhythms, textures and chords
TimingLocked to the host tempo, from a quarter to four times speed, or free-running
TriggerRun free, restart on the first key of a phrase, or on every note. Let go of the keys and the sequence plays out past its loop
ImportTurn a WAV, MP3, FLAC, AIFF or Ogg file into a sequence: speech, a drum loop, a whole field recording
RecordCapture up to a minute from the live input
Editor

Trim, loop, ping-pong

A spectrogram of the sequence with trim and loop markers you drag while it plays. Save just the clip you want.

Freeze

Hold a vowel

Hold the current spectrum and keep playing on it after you stop singing. Snap it to save it as a one-frame sequence.

Steps

Build a vowel pattern

Line up snapshots on a step strip to make a stepped sequence, with rests where you want silence.

06Tone

Four knobs for the carrier.

Every setting is matched to the same loudness, so turning a knob changes the tone and leaves the level alone.

Formant

±18 semitones

Moves every formant up or down together, for a smaller or larger voice.

Modulation

Split it in two

Splits the voice into two layers up to 19 semitones apart. A little thickens, a lot turns metallic.

Tone

Wave · Voice · Pulse

From the textbook waveform, through the carrier that best carries formants, to a bright, flat pulse train.

Color

Twin · Saw · Square

From a two-pulse comb through a plain saw to square and narrow pulse, with the pulse width built in.

07Playing it

Made to be played.

The vowel is shared across the chord, as with a classic vocoder. Pitch, vibrato and the amp envelope belong to each note.

MPE

Per-note bend and pressure

Slide one note without moving the others. Pressure swells a note’s sustain and can bring in vibrato.

Band shift

Change the size

Move the formants up to twelve bands either way, in fractions of a band.

Ensemble

Up to eight slots

Unison or a slow-moving ensemble, always stereo. Start the slots in phase for a sweep on every attack.

Input

Ready for a microphone

An input meter, gain and a low cut, then Emphasis to bring out consonants and a gate for room noise.

FilterLow, band or high pass on the whole instrument, with its own LFO
PitchVibrato, pitch envelope, glide, mod wheel, aftertouch and bend, with coarse and fine tuning
PresetsSave and browse your own patches, and step through them from the panel
08Specification

The beta, in numbers.

PsyVOX is in public beta. Details may change before release.

TypeVoco-synth: a synthesizer voiced by your microphone or its own sequences
Beta build0.1.0 beta, VST3, Windows 10 or later, 64-bit
Analyzers18 band plans: Modern, Classic and Character
Voices8, built for every analyzer
Sequences26 factory, plus your own from recordings and imported audio
ToneFormant ±18 st, split to 19.2 st, Tone and Color
ExpressionMPE per-note bend and pressure, aftertouch, mod wheel
EnsembleUnison or ensemble, up to 8 slots, stereo
EffectsThe PsyOp rack: 11 modules, reorderable
Plug-in codesManufacturer mPsy · plug-in pv01
LicenseThe beta runs as a 60-day full trial. Offline license file at release
09Download the beta

Try it now.

PsyVOX 0.1.0 beta · 8 October 2026

Windows installer, VST3

The public beta is the whole voco-synth, with its factory voices and sequences, and runs in full for sixty days. Requires Windows 10 or later, 64-bit and a VST3 host. Mac versions are on the way: get one email when they are ready.

File
PsyVOX-0.1.0-beta-20261008-1641.exe
SHA-256
21de8eb7dc7aca1abc385bd7cee18bdce9f613b80f4e0a6b9ec8fd09baf6aa80
Signed by
MadPsy key f226 9962 5b36 34e4
If Windows warns you

Pre-release installers are not yet code-signed with a Windows certificate, so SmartScreen may say it “prevented an unrecognized app from starting”. Choose More info, then Run anyway. Release builds will be signed.

Check the download

In PowerShell, Get-FileHash .\PsyVOX-0.1.0-beta-20261008-1641.exe should print the SHA-256 above. The signature file carries the same hash, signed with the MadPsy key that signs every plug-in’s content.

Tell us what you find

Bugs, crashes and ideas all help: say which host you use and what you were doing. Contact us, or join the feedback list and we will ask now and then.

Bundle owners get PsyVOX at no charge when it is released.

10The beta program

Help us finish it.

The beta is the whole voco-synth, and it runs in full for sixty days. Each new beta version starts a fresh sixty days, so you can keep testing as it changes; the released PsyVOX has the standard thirty-day trial. All we ask in return is that you tell us what you find.

Beta feedback

Tell us what you find.

Crashes, sounds that seem off, controls that confuse you, things you wish it did. Tell us the beta version, your system and your DAW, and a person reads every word. Happy to be asked now and then? Join the feedback list.

Send feedback
The MadPsy Residency

Made something with it?

Send us a demo track, presets or samples made with the beta. If we approve them, the plug-ins you used are yours, with your name on the work wherever it appears.

Submit to the Residency
11Setting it up

Two things to connect.

PsyVOX loads as an instrument. It needs notes, like any synth, and an audio feed into its input, called Modulator in hosts that show input names. Most DAWs list that input as a sidechain. Mono or stereo both work.

Ableton Live11.1 and later
  1. Drop PsyVOX on a MIDI track. Arm it, or set Monitor to In, so your keyboard plays it.
  2. Put the sound you want on an audio track: a vocal clip, a drum loop, or a microphone input with Monitor set to In.
  3. On the PsyVOX device, open the Sidechain section, switch it on, and set Audio From to that audio track. Choose the Pre FX tap.
  4. To hear only PsyVOX, turn the source track’s volume all the way down. The Pre FX tap still feeds PsyVOX.
Reaper6 and later
  1. Insert PsyVOX on a new track (Insert → Virtual instrument on new track). Arm it with your MIDI keyboard as the input and monitoring on.
  2. On the track with your vocal, drums or microphone, click Route and add a send to the PsyVOX track, audio 1/2 to 1/2.
  3. Untick Master send on the source track if you only want to hear PsyVOX.
  4. Or skip the send: put the audio item on the PsyVOX track itself, and PsyVOX hears it directly.
Bitwig Studio4 and later
  1. Add PsyVOX to an instrument track and arm it for your keyboard.
  2. In front of PsyVOX in the device chain, add an Audio Receiver and set its source to the track with your sound.
  3. Turn the source track’s output off, or down, if you only want to hear PsyVOX.
Cubase12 and later
  1. Add an instrument track with PsyVOX and record-enable it for your keyboard.
  2. In the PsyVOX window, click Activate Side-Chain in the title bar.
  3. On the source audio track, add a send and choose PsyVOX’s side-chain input as its destination. Bring the send up to 0 dB.
  4. Make the send pre-fader and pull the source fader down if you only want to hear PsyVOX.
Studio One6 and later
  1. Add PsyVOX on an instrument track and arm it for your keyboard.
  2. In the PsyVOX window’s header, click the sidechain button and tick the track with your sound. Or, on that track, add a send to PsyVOX (Sidechain).
  3. Lower the source channel, keeping the send pre-fader, if you only want to hear PsyVOX.
FL Studio21 and later
  1. Route the source channel (vocal, drums or microphone) to a mixer track, and load PsyVOX into an effect slot on that mixer track.
  2. In PsyVOX’s plugin wrapper settings, give it a MIDI input port, for example 1.
  3. Add a MIDI Out channel in the Channel rack, set to the same port. Its notes, from the piano roll or your keyboard, now play PsyVOX.

Logic Pro needs the macOS Audio Unit build, which is not in the beta yet.

12Troubleshooting

If something doesn’t sound right.

Two things tell you most of what you need. The Input meter at the left of the Vocoder section shows what is coming in. The light under the Live/Seq switch turns red and reads No input after two seconds of silence.

I play notes and hear nothing

Check the light under Live/Seq. If it reads No input, PsyVOX is not hearing any audio: follow your DAW’s steps above, and make sure the source is actually playing, or monitored if it is a microphone. To check that the synth itself works, switch to Seq; you should hear the selected sequence as you play.

The input meter moves, but the keys do nothing

PsyVOX is hearing audio but getting no notes. Arm or monitor PsyVOX’s own track for your MIDI keyboard. In FL Studio, check the MIDI Out channel and PsyVOX use the same port.

I hear my dry voice or drums as well

The source track is still going to your main output. Turn it down, send it to nothing, or untick its master send; PsyVOX still receives it through the send or sidechain. Also check the Monitor knob, which blends the dry input into PsyVOX’s own output, is at zero.

The input meter lights red

The feed is too hot. Lower Gain under the meter until the red lights only flicker on the loudest peaks.

The words are hard to make out

Keep Low Cut on for microphones, and raise Emphasis to bring out consonants. Analyzers with more bands, such as Modern/Bark 24 or Modern/Mel 48, speak more clearly than the Character ones. Shorter Attack and Release follow fast speech more closely.

Room noise or breaths make sound between phrases

Raise Gate until the gaps go quiet, and no further, or quiet phrase endings will cut off.

There is a delay when I sing live

That is your audio interface’s buffer. Set it to 256 samples or lower while playing live, and listen to PsyVOX rather than to your interface’s direct monitoring of the microphone.

A sequence doesn’t keep time with the song

Switch Sync on and start the DAW’s transport; synced sequences follow the song position. With Sync off, Speed sets the rate freely.

PsyVOX doesn’t appear in my DAW

The beta is a 64-bit VST3 for Windows. Rescan your plug-ins, and check C:\Program Files\Common Files\VST3\ is in your DAW’s VST3 paths. More on the support page.